{"id":13977,"date":"2025-09-03T15:40:18","date_gmt":"2025-09-03T12:40:18","guid":{"rendered":"https:\/\/media-azi.md\/bugete-si-audiente-in-scadere-ce-dificultati-urmeaza-pentru-piata-media-din-moldova-si-cum-le-putem-depasi\/"},"modified":"2026-07-10T16:51:59","modified_gmt":"2026-07-10T13:51:59","slug":"bugete-si-audiente-in-scadere-ce-dificultati-urmeaza-pentru-piata-media-din-moldova-si-cum-le-putem-depasi","status":"publish","type":"post","link":"https:\/\/media-azi.md\/en\/bugete-si-audiente-in-scadere-ce-dificultati-urmeaza-pentru-piata-media-din-moldova-si-cum-le-putem-depasi\/","title":{"rendered":"Decreasing budgets and audiences. What difficulties lie ahead for the Moldovan media market and how can they be addressed"},"content":{"rendered":"<p><strong>Alexandru Lebedev, media expert<\/strong><\/p>\n<p>The media ecosystem in the Republic of Moldova is very fragile, being influenced by any major or minor crisis, and the advertising market reflects this reality. In 2024, the Moldovan advertising market amounted to \u20ac 26.27 million, i.e. an increase of almost 28% compared to 2022, when the Russia\u2019s invasion of Ukraine caused a major decline, but also compared to 2024, when it was at the level of 2013-2014. The gradual growth in recent years was driven by improvements of the environment: controlled inflation, increasing the average salary in the economy, and also the expansion of the retail market. Of the total market, 50% of funds were allocated to television, 39% \u2013 to online media, 7% \u2013 to outdoor advertising, 3% \u2013 to radio and 1% \u2013 to print media.<\/p>\n<p>Although 2025 was expected to bring a 12% increase compared to 2024, this scenario is becoming increasingly unlikely. Rising inflation, withdrawal of USAID funding from Moldova and uncertainties surrounding the parliamentary elections in September will seriously affect media outlets.<\/p>\n<p>This is the general picture. But let&#8217;s look into details to understand where the problems lie.<\/p>\n<p><strong>PROBLEM 1<\/strong><\/p>\n<p>Television is a premium advertising medium, meaning that those who decide to advertise on TV still need to have budgets for creativity, production and in-depth market research. The problem lies in the difficulty of effectively targeting the audience for commercials, product placements or sponsorship of shows. The measurement that we have always had on the market (the AGB Nielsen company) is considered unrepresentative and has been criticized several times over the years, while the alternative selected through a tender some time ago (Kantar Media) cannot be implemented, because the market cannot afford it. Additionally, cable operators (Orange, StarNet, Moldtelecom) seem to be able to provide more accurate data on the audience, but this information is not public or the cable operators do not yet collect it so accurately.<\/p>\n<p>As a result, large clients \u00a0(most of them international) are willing to pay for advertising only for urban audiences aged 18+. Also, due to the recent economic stagnation, budgets are decreasing, and several clients decide not to work with all TV advertising sales houses, aiming instead to optimize spending and impact.<\/p>\n<p>None of the local channels are included in the AGB Nielsen measurement system, which limits their access to major clients, while national television stations (all based in Chisinau) compete for the available audiovisual budgets. Outside Chisinau, monetization remains almost impossible. Moreover, Moldova has previously faced issues with monopolies in the TV market, and the limited budgets substantially favour creation of an environment in which this problem would reappear, which would lead to a decrease in the price of advertising, something already visible in data from the first half of 2025. This would create more gaps in television budgets.<\/p>\n<p>Also, if we monitor the market for the last five years, the digital\/online sector has been steadily growing. Funds that were previously intended for TV advertising are now increasingly spent on social networks, influencers, and programmatic advertising (the automatic buying and selling of banner ads or video placements). This shift is driven by more effective audience targeting, lower production costs (including by using AI tools), and also have much more complex and relevant demographic statistical data. While this might seem like good news for Moldova\u2019s online media, it is not: most of the money goes to global platforms rather than to editorial offices in the country.<\/p>\n<p><strong>WHAT IS TO BE DONE?<\/strong><\/p>\n<p>A real and efficient collaboration between television channels and TV service distributors, to use data in the common interest and to offer advertising clients a much more accurate audience targeting, could be an effective step and would motivate companies to allocate larger budgets for TV advertising, knowing that they can access any TV set, but not to general statistical data. This could also increase the price of advertising, because it would be justified. By the way, regional channels could also participate in this market.<\/p>\n<p>In addition, better collaboration between television channels is necessary to better control market prices, preventing dumping, destabilization or concentration of audiences within one or two sales houses.<\/p>\n<p>However, political involvement (both in TV ownership and TV distribution services) makes such collaboration difficult and not always fair. The lack of trust among market players leads to each to act independently, without contributing to the overall development of the market. In this context, another solution would be the development of Smart TV applications for television channels, which could help customers reach the necessary audience, but these require large budgets for development and maintenance \u2013 funds that television channels cannot invest without a growing national economic environment.<\/p>\n<p><strong>PROBLEM 2<\/strong><\/p>\n<p>The classic model of online media \u2013 attracting traffic to the website and selling audience reach \u2013 no longer works. It worked as long as Google was just Google, and social networks were few and not overcrowded with content creators. But things changed with the easy access to AI, audience segmentation on different social networks, and the constant evolution of social media algorithms.<\/p>\n<p>Thus, now the landscape looks like this:<\/p>\n<ul>\n<li>Google increasingly provides answers directly on the result page, massively reducing clicks to websites (the ratio has dropped from 1\/10 to 1\/600, meaning only one user in 600 still accesses a link from Google when searching);<\/li>\n<li>Social networks (Facebook, Instagram, TikTok, YouTube, Telegram) constantly change their algorithms and prefer to keep users within the platform, rather than redirect them to other sources;<\/li>\n<li>The emergence of AI (including ChatGPT) redistributes user attention, without generating traffic for the sources.<\/li>\n<\/ul>\n<p>Online media outlets notice a continuous decrease in traffic from Google, while traffic from social networks is becoming increasingly insignificant. To reach users, editorial offices shall ensure their presence on all social networks at the same time \u2013 not with links for access, but with content specifically created for these platforms. This increases production costs and requires learning how to use analytical and demographic data (hello to data analysts in the editorial offices!). In addition, compliance with the Code of Ethics makes them less \u2018attractive\u2019 compared to influencers, who build niche communities based on personal opinions and beliefs.<\/p>\n<p>Thus, media institutions invest work and resources to feed global platforms, but do not earn from it. The substantial drop in website traffic means that advertising agencies have less inventory to sell programmatically, as well as wasting of the audience that once cost money. Therefore, advertising budgets are increasingly directed towards influencers, who bring clearer results to clients.<\/p>\n<p><strong>WHAT NEEDS TO BE DONE?<\/strong><\/p>\n<p>The first step is realizing and accepting that the traditional model no longer works, and a media institution is no longer just an information channel, but a\u00a0 community-building platform (even premium paid access model for certain types of content is outdated compared to what platforms like Netflix or Spotify offer). To understand the community you are building, you must clearly know your audience (the data analyst role in an editorial office is becoming more important than that of editor-in-chief) and what you need to do to grow it, to be in constant dialogue with it. Strengthening the brand of the media outlet, rather than the website, becomes a priority as well.<\/p>\n<p>This would lead to producing less content, but of higher quality and originality, transforming, editorial offices into actors similar to influencers, but with journalistic responsibility. This approach would better align with how Google, social platforms and emerging technologies such as ChatGPT currently operate.<\/p>\n<p>A viable model for the media, which is increasingly often invoked, is similar to Wikipedia \u2013 readers who have financial resources should be encouraged to support production of high-quality and original content, so that even those who cannot contribute can still access this information for free, regardless of the platform (website, social networks or even AI-generated answers like those from ChatGPT). Until recently, most media funding initiatives relied on other formulas: subscriptions for premium content, memberships with exclusive benefits (such as tickets, invitations, access to events) or direct appeals for survival donations (\u2018help us survive\u2019).<\/p>\n<p>Also, consolidation of media outlets and closer collaboration between them could create a voice to negotiate with AI platforms. One of the first steps in this direction was recently taken by The Guardian, which announced a strategic partnership with OpenAI. A visible trend of AI platforms is the preference for high-quality local content. In this context, it remains to be seen what steps Moldovan press will take to capitalize on this opportunity. However, the main challenge is the lack of trust and fragmentation of the Moldovan media market. The fear of being associated with \u2018political control\u2019 blocks consolidation initiatives. Many talented journalists end up doing more management than journalism itself.<\/p>\n<p>Returning to advertising, a partial solution could be joint projects with businesses, focused on specific communities \u2013 following the influencer model.<\/p>\n<p><strong>EPILOGUE<\/strong><\/p>\n<p>It is important for every media outlet to understand what stage it is at now, what audience it has, and what is ahead. Until the Republic of Moldova\u2019s integration into the European Union, many editorial offices may continue to exist out of inertia, but also thanks to existing or forthcoming grants. However, understanding that donor budgets will decrease as we approach integration, media managers must clearly define their role in the advertising market if they want to build for the long term, developing resilience and the ability to withstand any crisis, or if they choose the short-term survival model, reinventing themselves after each shock without a sustainable strategy.<\/p>\n<p>To cope with the technological crises that lie ahead, media outlets should take steps for collaboration and market consolidation, which should support them financially in the long term.<\/p>\n<p><em>The article was written within the project \u201cResilient Media, Informed Voters: Safeguarding Moldova\u2019s Elections from Disinformation\u201d, funded by the Embassy of the Kingdom of the Netherlands in Moldova. The views expressed are those of the authors and do not necessarily reflect the position of the donor.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Alexandru Lebedev, media expert The media ecosystem in the Republic of Moldova is very fragile, being influenced by any major or minor crisis, and the advertising market reflects this reality. In 2024, the Moldovan advertising market amounted to \u20ac 26.27 million, i.e. an increase of almost 28% compared to 2022, when the Russia\u2019s invasion of &hellip;<\/p>\n","protected":false},"author":2,"featured_media":11541,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","_FSMCFIC_featured_image_caption":"","_FSMCFIC_featured_image_nocaption":"","_FSMCFIC_featured_image_hide":"","footnotes":""},"categories":[119],"tags":[],"class_list":["post-13977","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-opinion"],"acf":[],"uagb_featured_image_src":{"full":["https:\/\/media-azi.md\/wp-content\/uploads\/2025\/09\/473224078_10170534081290408_276867203163748645_n.jpg",828,639,false],"thumbnail":["https:\/\/media-azi.md\/wp-content\/uploads\/2025\/09\/473224078_10170534081290408_276867203163748645_n-150x150.jpg",150,150,true],"medium":["https:\/\/media-azi.md\/wp-content\/uploads\/2025\/09\/473224078_10170534081290408_276867203163748645_n-300x232.jpg",300,232,true],"medium_large":["https:\/\/media-azi.md\/wp-content\/uploads\/2025\/09\/473224078_10170534081290408_276867203163748645_n-768x593.jpg",768,593,true],"large":["https:\/\/media-azi.md\/wp-content\/uploads\/2025\/09\/473224078_10170534081290408_276867203163748645_n.jpg",828,639,false],"1536x1536":["https:\/\/media-azi.md\/wp-content\/uploads\/2025\/09\/473224078_10170534081290408_276867203163748645_n.jpg",828,639,false],"2048x2048":["https:\/\/media-azi.md\/wp-content\/uploads\/2025\/09\/473224078_10170534081290408_276867203163748645_n.jpg",828,639,false],"jannah-image-small":["https:\/\/media-azi.md\/wp-content\/uploads\/2025\/09\/473224078_10170534081290408_276867203163748645_n-220x150.jpg",220,150,true],"jannah-image-large":["https:\/\/media-azi.md\/wp-content\/uploads\/2025\/09\/473224078_10170534081290408_276867203163748645_n-390x220.jpg",390,220,true],"jannah-image-post":["https:\/\/media-azi.md\/wp-content\/uploads\/2025\/09\/473224078_10170534081290408_276867203163748645_n-780x470.jpg",780,470,true],"awsm_team":["https:\/\/media-azi.md\/wp-content\/uploads\/2025\/09\/473224078_10170534081290408_276867203163748645_n-500x500.jpg",500,500,true]},"uagb_author_info":{"display_name":"Victoria Dodon","author_link":"https:\/\/media-azi.md\/en\/author\/vdodon\/"},"uagb_comment_info":0,"uagb_excerpt":"Alexandru Lebedev, media expert The media ecosystem in the Republic of Moldova is very fragile, being influenced by any major or minor crisis, and the advertising market reflects this reality. In 2024, the Moldovan advertising market amounted to \u20ac 26.27 million, i.e. an increase of almost 28% compared to 2022, when the Russia\u2019s invasion of&hellip;","amp_enabled":true,"_links":{"self":[{"href":"https:\/\/media-azi.md\/en\/wp-json\/wp\/v2\/posts\/13977","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/media-azi.md\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/media-azi.md\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/media-azi.md\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/media-azi.md\/en\/wp-json\/wp\/v2\/comments?post=13977"}],"version-history":[{"count":2,"href":"https:\/\/media-azi.md\/en\/wp-json\/wp\/v2\/posts\/13977\/revisions"}],"predecessor-version":[{"id":13979,"href":"https:\/\/media-azi.md\/en\/wp-json\/wp\/v2\/posts\/13977\/revisions\/13979"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/media-azi.md\/en\/wp-json\/wp\/v2\/media\/11541"}],"wp:attachment":[{"href":"https:\/\/media-azi.md\/en\/wp-json\/wp\/v2\/media?parent=13977"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/media-azi.md\/en\/wp-json\/wp\/v2\/categories?post=13977"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/media-azi.md\/en\/wp-json\/wp\/v2\/tags?post=13977"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}